Friday, March 18th, Saturday, March 19th and Sunday, March 20th, 2022 - Updated info coming soon
In this workshop Elizabeth will share her approach to image creation and print making (Encaustic monotype) on a HOTbox. Students will experience working with a wide variety of her Handmade Silicone Tools, as well as learn different approaches to finishing work by integrating alcohol inks, India inks and collage.
Additionally, Elizabeth will teach students how to mount finished work onto birch panels, and or to collage onto to the panel in order to create a finished piece of work.
Encaustic Monotype is a rich art process that allows the artist to explore mark making in a free and relaxed way. It can open doors that you may not even realize needed to be opened. Elizabeth's Silicone Tools allow artists to explore an expansive array of marks that can, at times, move the artist towards new ideas. Her tool making has had a strong influence on her work, as the tools and marks inspire new ideas which add depth to her work.
Each student will receive their own Silicone Blade Tool (a $49 value) which Elizabeth will custom cut and design for them at the workshop. In addition, she will have a large array of tools available for her students to use during the workshop.
Will be combination of instruction, demo and individual work on the HOTbox. We will explore working with a variety of mark making tools and adding ink (India and alcohol ink) to prints. End of day group critique to discuss work completed and share ideas/thoughts on what took place.
Continued work on Hotbox, with deeper exploration into taking the work to the next level - working with collage/mixed media to create various compositions. End of day group critique to discuss work completed and share ideas/thoughts on what took place and potential next steps.
Focus will be on creating finished work, using the prints that have been completed this far. Elizabeth will demonstrate how to mount work to panel. End of day group critique to discuss work completed.
Provided workshop supplies and equipment:
Participants may like to bring additional supplies:
Connecting is to link or to be linked to; join; fasten.
Our lives are made up in part by our connections. Without connections we would literally be alone, living a singular life –
it would be akin to living in nothingness.
Connections can be fleeting or painful to have or keep. They can also bring joy, happiness and contribute a more fulfilled life.
My intention with my art/paintings is to explore the most significant connections in my life, those that have influenced me and made the deepest impressions.
Cultural connections have had a significant impact on my life, my way of thinking, the way I choose to live and my ideas about myself. My experiences in Asia especially have influenced my ideas about myself, who I am and how I live my life.
In my current body of work, “The Art of Tools” I am exploring the relationship to line, form and shapes through the use of a wide array of handmade tools.
Elizabeth was born and raised in Northern California, and has always held a deep appreciation for and affinity with the sea and the natural beauty of the Northern California coastline. Her paintings reflect the deep bond she feels with nature and her love of the ocean. Organic shapes and forms are almost always present in Elizabeth’s work, whether she is working with encaustic medium or ink on paper.
In recent years Elizabeth has been working primarily with encaustic medium/mixed media (paper, ink, and fabric).